Tag Archives: Cool

Cool Legal Form images

A few nice legal form images I found:

P1040325
legal form

Image by FiatLuxPics
Photographer: Jason Wun

Note that all photos available in this site are Copyrighted and licensed under Creative Commons. Failure to provide or cite sources will consequentially result in some form of legal action against the user.

P1040221
legal form

Image by FiatLuxPics
Photographer: Jason Wun

Note that all photos available in this site are Copyrighted and licensed under Creative Commons. Failure to provide or cite sources will consequentially result in some form of legal action against the user.

P1040192
legal form

Image by FiatLuxPics
Photographer: Jason Wun

Note that all photos available in this site are Copyrighted and licensed under Creative Commons. Failure to provide or cite sources will consequentially result in some form of legal action against the user.

Cool Free Legal Help images

Some cool free legal help images:

Burma protest for junta to face International Criminal Court
free legal help

Image by totaloutnow
Burmese protesters at the Burma Embassy in London called for the International Criminal Court to investigate the military junta’s heinous crimes againsts its own people.

Harvard report calls for Burma inquiry

www.boston.com/news/world/worldly_boston/2009/05/harvard_…

Burma is once more in the headlines, with opposition leader Aung San Suu Kyi again on trial, and the United Nations considering yet another condemnation of the military junta that rules Burma.

A Harvard Law School human rights group says it’s time to do more than just issue another statement about Burma. Rather, the report argues, the United Nations Security Council should hold a formal commission of inquiry into human rights abuses that could lead to an international tribunal like those for the former Yugoslavia and Darfur.

The Harvard Law School’s International Human Rights Clinic issued a detailed report today finding that "human rights abuses in Burma are widespread, systematic and part of state policy." It said the evidence suggests the Burmese regime "may be committing crimes against humanity and war crimes prosecutable under international law."

Download the report here:
www.law.harvard.edu/programs/hrp/documents/Crimes-in-Burm…

The clinic’s 114-page report examines sources including 15 years worth of UN documents reporting on abuses including the forced displacement of 3,000 villages in eastern Burma and "widespread and systematic sexual violence, torture and summary execution of innocent civilians."

The report was commissioned by five of the world’s most prominent legal experts on human rights: Judge Richard Goldstone of South Africa, Judge Patricia Wald of the United States, Judge Pedro Nikken of Venezuela, Judge Ganzorig Bombosuren of Mongolia and Sir Geoffrey Nice of Britain. These jurists all have experience investigating human rights abuses and prosecuting the alleged perpetrators in international rights tribunals.

The jurists write in the preface to the report: "Over and over again, UN resolutions and special rapporteurs have spoken out about the abuses that have been reported to them in Burma. The UN Security Council has not moved forward as it should and has in similar situations such as those in the former Yugoslavia and Darfur."

That commission of inquiry’s findings would determine whether the Burma situation is referred to the International Criminal Court or a special tribunal, the jurists say.

=========================================================================================

During Nobel Peace Prize Winner Aung San Suu Kyi’s show trial in Burma, there was a daily protest during weekdays outside the Burma Embassy in London. The protesters called for the release of All Political Prisoners in Burma. There are over 2,100 known political prisoners in Burma.

Protesters also called for respect for human rights and ethnic minorities in Burma. The corrupt military junta is notorious for its genocide against ethnic minorities, forced labour, use of child soldiers, ill treatment of Buddhist monks, Muslims and Christians.

Over 3,300 Karen villages have been destroyed by the junta. Already displaced Karen villagers faced renewed mortar attacks in June 2009, causing thousands to flee to Thailand, despite the international attention already on Burma, due to Aung San Suu Kyi’s trial.

Thousands of Refugees Flee Ler Per Her Camp as Burma Army Attack Begins
www.freeburmarangers.org/Reports/2009/20090605.html

This year ASEAN hailed the creation of a regional human rights body as a historic first step toward confronting abuses in the region. ASEAN should get to work in Burma: stopping the genocide of the Karen people, widespread oppression of ethnic minorities, abuse of the Rohingya Muslims, child soldiers, forced labour and forced conscription into the army. A clear milestone by which ASEAN’s regional human rights policy will be judged is whether ASEAN can even help free more than 2,100 known fellow political prisoners in Burma as well as Nobel Peace prize winning Aung San Suu Kyi.

Burma Campaign UK page on Aung San Suu Kyi and Burma News:
www.burmacampaign.org.uk/index.php/burma/campaigns/aung-s…
www.burmacampaign.org.uk/index.php/burma/news

Thousands left messages for Aung San Suu Kyi’s 64th birthday:
www.64forsuu.org/

The main website for Burma’s Political Prisoners:
www.fbppn.net/ – the campaign site
www.aappb.org/ – most of the news of political prisoners comes from APPB, that Amnesty International etc uses

Burma News: (RSS feed works well on mobile phones or browsers with RSS readers)
burmanewsnetwork.blogspot.com/

Burma protest for junta to face International Criminal Court
free legal help

Image by totaloutnow
Burmese protesters at the Burma Embassy in London called for the International Criminal Court to investigate the military junta’s heinous crimes againsts its own people.

Harvard report calls for Burma inquiry

www.boston.com/news/world/worldly_boston/2009/05/harvard_…

Burma is once more in the headlines, with opposition leader Aung San Suu Kyi again on trial, and the United Nations considering yet another condemnation of the military junta that rules Burma.

A Harvard Law School human rights group says it’s time to do more than just issue another statement about Burma. Rather, the report argues, the United Nations Security Council should hold a formal commission of inquiry into human rights abuses that could lead to an international tribunal like those for the former Yugoslavia and Darfur.

The Harvard Law School’s International Human Rights Clinic issued a detailed report today finding that "human rights abuses in Burma are widespread, systematic and part of state policy." It said the evidence suggests the Burmese regime "may be committing crimes against humanity and war crimes prosecutable under international law."

Download the report here:
www.law.harvard.edu/programs/hrp/documents/Crimes-in-Burm…

The clinic’s 114-page report examines sources including 15 years worth of UN documents reporting on abuses including the forced displacement of 3,000 villages in eastern Burma and "widespread and systematic sexual violence, torture and summary execution of innocent civilians."

The report was commissioned by five of the world’s most prominent legal experts on human rights: Judge Richard Goldstone of South Africa, Judge Patricia Wald of the United States, Judge Pedro Nikken of Venezuela, Judge Ganzorig Bombosuren of Mongolia and Sir Geoffrey Nice of Britain. These jurists all have experience investigating human rights abuses and prosecuting the alleged perpetrators in international rights tribunals.

The jurists write in the preface to the report: "Over and over again, UN resolutions and special rapporteurs have spoken out about the abuses that have been reported to them in Burma. The UN Security Council has not moved forward as it should and has in similar situations such as those in the former Yugoslavia and Darfur."

That commission of inquiry’s findings would determine whether the Burma situation is referred to the International Criminal Court or a special tribunal, the jurists say.

=========================================================================================

During Nobel Peace Prize Winner Aung San Suu Kyi’s show trial in Burma, there was a daily protest during weekdays outside the Burma Embassy in London. The protesters called for the release of All Political Prisoners in Burma. There are over 2,100 known political prisoners in Burma.

Protesters also called for respect for human rights and ethnic minorities in Burma. The corrupt military junta is notorious for its genocide against ethnic minorities, forced labour, use of child soldiers, ill treatment of Buddhist monks, Muslims and Christians.

Over 3,300 Karen villages have been destroyed by the junta. Already displaced Karen villagers faced renewed mortar attacks in June 2009, causing thousands to flee to Thailand, despite the international attention already on Burma, due to Aung San Suu Kyi’s trial.

Thousands of Refugees Flee Ler Per Her Camp as Burma Army Attack Begins
www.freeburmarangers.org/Reports/2009/20090605.html

This year ASEAN hailed the creation of a regional human rights body as a historic first step toward confronting abuses in the region. ASEAN should get to work in Burma: stopping the genocide of the Karen people, widespread oppression of ethnic minorities, abuse of the Rohingya Muslims, child soldiers, forced labour and forced conscription into the army. A clear milestone by which ASEAN’s regional human rights policy will be judged is whether ASEAN can even help free more than 2,100 known fellow political prisoners in Burma as well as Nobel Peace prize winning Aung San Suu Kyi.

Burma Campaign UK page on Aung San Suu Kyi and Burma News:
www.burmacampaign.org.uk/index.php/burma/campaigns/aung-s…
www.burmacampaign.org.uk/index.php/burma/news

Thousands left messages for Aung San Suu Kyi’s 64th birthday:
www.64forsuu.org/

The main website for Burma’s Political Prisoners:
www.fbppn.net/ – the campaign site
www.aappb.org/ – most of the news of political prisoners comes from APPB, that Amnesty International etc uses

Burma News: (RSS feed works well on mobile phones or browsers with RSS readers)
burmanewsnetwork.blogspot.com/

Burma protest for junta to face International Criminal Court
free legal help

Image by totaloutnow
Burmese protesters at the Burma Embassy in London called for the International Criminal Court to investigate the military junta’s heinous crimes againsts its own people.

Harvard report calls for Burma inquiry

www.boston.com/news/world/worldly_boston/2009/05/harvard_…

Burma is once more in the headlines, with opposition leader Aung San Suu Kyi again on trial, and the United Nations considering yet another condemnation of the military junta that rules Burma.

A Harvard Law School human rights group says it’s time to do more than just issue another statement about Burma. Rather, the report argues, the United Nations Security Council should hold a formal commission of inquiry into human rights abuses that could lead to an international tribunal like those for the former Yugoslavia and Darfur.

The Harvard Law School’s International Human Rights Clinic issued a detailed report today finding that "human rights abuses in Burma are widespread, systematic and part of state policy." It said the evidence suggests the Burmese regime "may be committing crimes against humanity and war crimes prosecutable under international law."

Download the report here:
www.law.harvard.edu/programs/hrp/documents/Crimes-in-Burm…

The clinic’s 114-page report examines sources including 15 years worth of UN documents reporting on abuses including the forced displacement of 3,000 villages in eastern Burma and "widespread and systematic sexual violence, torture and summary execution of innocent civilians."

The report was commissioned by five of the world’s most prominent legal experts on human rights: Judge Richard Goldstone of South Africa, Judge Patricia Wald of the United States, Judge Pedro Nikken of Venezuela, Judge Ganzorig Bombosuren of Mongolia and Sir Geoffrey Nice of Britain. These jurists all have experience investigating human rights abuses and prosecuting the alleged perpetrators in international rights tribunals.

The jurists write in the preface to the report: "Over and over again, UN resolutions and special rapporteurs have spoken out about the abuses that have been reported to them in Burma. The UN Security Council has not moved forward as it should and has in similar situations such as those in the former Yugoslavia and Darfur."

That commission of inquiry’s findings would determine whether the Burma situation is referred to the International Criminal Court or a special tribunal, the jurists say.

=========================================================================================

During Nobel Peace Prize Winner Aung San Suu Kyi’s show trial in Burma, there was a daily protest during weekdays outside the Burma Embassy in London. The protesters called for the release of All Political Prisoners in Burma. There are over 2,100 known political prisoners in Burma.

Protesters also called for respect for human rights and ethnic minorities in Burma. The corrupt military junta is notorious for its genocide against ethnic minorities, forced labour, use of child soldiers, ill treatment of Buddhist monks, Muslims and Christians.

Over 3,300 Karen villages have been destroyed by the junta. Already displaced Karen villagers faced renewed mortar attacks in June 2009, causing thousands to flee to Thailand, despite the international attention already on Burma, due to Aung San Suu Kyi’s trial.

Thousands of Refugees Flee Ler Per Her Camp as Burma Army Attack Begins
www.freeburmarangers.org/Reports/2009/20090605.html

This year ASEAN hailed the creation of a regional human rights body as a historic first step toward confronting abuses in the region. ASEAN should get to work in Burma: stopping the genocide of the Karen people, widespread oppression of ethnic minorities, abuse of the Rohingya Muslims, child soldiers, forced labour and forced conscription into the army. A clear milestone by which ASEAN’s regional human rights policy will be judged is whether ASEAN can even help free more than 2,100 known fellow political prisoners in Burma as well as Nobel Peace prize winning Aung San Suu Kyi.

Burma Campaign UK page on Aung San Suu Kyi and Burma News:
www.burmacampaign.org.uk/index.php/burma/campaigns/aung-s…
www.burmacampaign.org.uk/index.php/burma/news

Thousands left messages for Aung San Suu Kyi’s 64th birthday:
www.64forsuu.org/

The main website for Burma’s Political Prisoners:
www.fbppn.net/ – the campaign site
www.aappb.org/ – most of the news of political prisoners comes from APPB, that Amnesty International etc uses

Burma News: (RSS feed works well on mobile phones or browsers with RSS readers)
burmanewsnetwork.blogspot.com/

Cool Free Legal Forms images

A few nice free legal forms images I found:

Anniversary of Resistance Day (27/03/2009)
free legal forms

Image by totaloutnow
Anniversary of Resistance Day (27/03/2009)

First Demonstration

Burmese protest outside the Burma Embassy in London on Resistance Day, which marks the anniversary of the start of Burmese resistance to the occupying Japanese army in World War II.

Gen. Aung San, the Founder of today’s Burma’s Army said, "Our armed forces are not for tyrannizing the people, not for flaunting their power in reliance on weapons. The armed forces are the servants of the country and not the other way round." But in reality, the situation in Burma is other way round. Burmese held the demonstration in front of the military regime’s embassy to let the world know that they don’t want military dictatorship in Burma and will fight until they can restore the government of the people, by the people and for the people.

The Burmese reject the junta’s planned 2010 sham election, in which Aung San Suu Kyi is not even allowed to stand. Her party, the National League for Democracy won the 1990 elections with 82% of the vote, but the corrupt military junta did not honour their own election. The Burmese ask for the 1990 election result to be realised and for talks on national reconciliation. The referendum for the 2010 election constitution carried a 3 year jail sentence for anyone who campaigned for a No vote in the referendum and many Burmese did not even cast their vote as they found government officials had already voted for them. Corrupt military junta, corrupt constitution, corrupt election.

Second Demonstration (Europe-wide Day of Action)
Foreign Commonwealth Office (FCO)
King Charles Street London SW1A 2AH

Burmese demands include:

* The EU strengthens the Common Position, including banking and financial sanctions, and sanctions stopping European companies providing insurance in Burma,
* The EU does more to pressure the military regime to free all political prisoners in Burma,
* The EU rejects the military regime’s 2010 elections and sham 2008 constitution in the present form,
* The EU does more to encourage reconciliation and tripartite dialogue without delay,
* The EU does more to challenge the dictatorship to immediately stop all human rights abuses in Burma.

Please, do not let your voice be silent for Free Burma. It is great chance to speak out your voice for Free Burma.
Please, do show your liberty to promote Crisis in Burma.

For further information on Burma and pro-democracy and human rights events in the UK please see:
www.totaloutofburma.org
www.burmacampaign.org.uk Burma Campaign UK
www.nld-la.org.uk/ National League for Democracy (UK)
www.bdmauk.org Burmese Democracy Movement Association
www.bdcburma.org/ Burma Democractic Concern
www.csw.org.uk/changeforburma.htm Christian Solidarity Worldwide

Free Burma’s Political Prisoners Now petition

Will you make a stand for Burma’s Political Prisoners?
Thousands of people across the world are uniting with one voice demanding the release all of Burma’s political prisoners. They are taking part in a global signature campaign which aims to collect 888,888 signatures before 24 May 2009 the legal date that Burma¹s democracy leader, Aung San Suu Kyi should be released from house arrest

Over 200,000 people already have signed up to the campaign calling for UN Secretary General to make it his personal priority
to secure the release of all of Burma¹s Political Prisoners, including Aung San Suu Kyi.

Will you sign the petition now? Sign here:
www.burmacampaign.org.uk/fbppn.htm

The petition has a target of 888,888 signatures, symbolising 8.8.88, the day the junta massacred some 3,000 people who courageously protested in Burma¹s largest democracy uprising. We¹ve made big progress towards that target but need your help if we¹re going to make it.

Here are some facts about political prisoners in Burma:
* There are over 2,100 political prisoners in Burma.
* They are innocent: These prisoners have committed no crime. They have been
imprisoned for peacefully calling for democracy and freedom in Burma.
* They are subjected to horrific torture: Once in prison, democracy
activists face horrific torture, including electric shocks, rape, iron rods
rubbed on their shins until the flesh rubs off, severe beatings and solitary
confinement.
* They endure terrible suffering: Many prisoners are kept in their cells 24
hours a day, given inadequate food and are in poor health. However, the
regime appears to be systematically denying medical treatment to political
prisoners.

For more professional photos these Resistance Day protests please see toastyoneuk’s collection at:
www.flickr.com/photos/toastyoneuk/sets/72157616030608089/

Anniversary of Resistance Day (27/03/2009)
free legal forms

Image by totaloutnow
Anniversary of Resistance Day (27/03/2009)

First Demonstration

Burmese protest outside the Burma Embassy in London on Resistance Day, which marks the anniversary of the start of Burmese resistance to the occupying Japanese army in World War II.

Gen. Aung San, the Founder of today’s Burma’s Army said, "Our armed forces are not for tyrannizing the people, not for flaunting their power in reliance on weapons. The armed forces are the servants of the country and not the other way round." But in reality, the situation in Burma is other way round. Burmese held the demonstration in front of the military regime’s embassy to let the world know that they don’t want military dictatorship in Burma and will fight until they can restore the government of the people, by the people and for the people.

The Burmese reject the junta’s planned 2010 sham election, in which Aung San Suu Kyi is not even allowed to stand. Her party, the National League for Democracy won the 1990 elections with 82% of the vote, but the corrupt military junta did not honour their own election. The Burmese ask for the 1990 election result to be realised and for talks on national reconciliation. The referendum for the 2010 election constitution carried a 3 year jail sentence for anyone who campaigned for a No vote in the referendum and many Burmese did not even cast their vote as they found government officials had already voted for them. Corrupt military junta, corrupt constitution, corrupt election.

Second Demonstration (Europe-wide Day of Action)
Foreign Commonwealth Office (FCO)
King Charles Street London SW1A 2AH

Burmese demands include:

* The EU strengthens the Common Position, including banking and financial sanctions, and sanctions stopping European companies providing insurance in Burma,
* The EU does more to pressure the military regime to free all political prisoners in Burma,
* The EU rejects the military regime’s 2010 elections and sham 2008 constitution in the present form,
* The EU does more to encourage reconciliation and tripartite dialogue without delay,
* The EU does more to challenge the dictatorship to immediately stop all human rights abuses in Burma.

Please, do not let your voice be silent for Free Burma. It is great chance to speak out your voice for Free Burma.
Please, do show your liberty to promote Crisis in Burma.

For further information on Burma and pro-democracy and human rights events in the UK please see:
www.totaloutofburma.org
www.burmacampaign.org.uk Burma Campaign UK
www.nld-la.org.uk/ National League for Democracy (UK)
www.bdmauk.org Burmese Democracy Movement Association
www.bdcburma.org/ Burma Democractic Concern
www.csw.org.uk/changeforburma.htm Christian Solidarity Worldwide

Free Burma’s Political Prisoners Now petition

Will you make a stand for Burma’s Political Prisoners?
Thousands of people across the world are uniting with one voice demanding the release all of Burma’s political prisoners. They are taking part in a global signature campaign which aims to collect 888,888 signatures before 24 May 2009 the legal date that Burma¹s democracy leader, Aung San Suu Kyi should be released from house arrest

Over 200,000 people already have signed up to the campaign calling for UN Secretary General to make it his personal priority
to secure the release of all of Burma¹s Political Prisoners, including Aung San Suu Kyi.

Will you sign the petition now? Sign here:
www.burmacampaign.org.uk/fbppn.htm

The petition has a target of 888,888 signatures, symbolising 8.8.88, the day the junta massacred some 3,000 people who courageously protested in Burma¹s largest democracy uprising. We¹ve made big progress towards that target but need your help if we¹re going to make it.

Here are some facts about political prisoners in Burma:
* There are over 2,100 political prisoners in Burma.
* They are innocent: These prisoners have committed no crime. They have been
imprisoned for peacefully calling for democracy and freedom in Burma.
* They are subjected to horrific torture: Once in prison, democracy
activists face horrific torture, including electric shocks, rape, iron rods
rubbed on their shins until the flesh rubs off, severe beatings and solitary
confinement.
* They endure terrible suffering: Many prisoners are kept in their cells 24
hours a day, given inadequate food and are in poor health. However, the
regime appears to be systematically denying medical treatment to political
prisoners.

For more professional photos these Resistance Day protests please see toastyoneuk’s collection at:
www.flickr.com/photos/toastyoneuk/sets/72157616030608089/

Anniversary of Resistance Day (27/03/2009)
free legal forms

Image by totaloutnow
Anniversary of Resistance Day (27/03/2009)

First Demonstration

Burmese protest outside the Burma Embassy in London on Resistance Day, which marks the anniversary of the start of Burmese resistance to the occupying Japanese army in World War II.

Gen. Aung San, the Founder of today’s Burma’s Army said, "Our armed forces are not for tyrannizing the people, not for flaunting their power in reliance on weapons. The armed forces are the servants of the country and not the other way round." But in reality, the situation in Burma is other way round. Burmese held the demonstration in front of the military regime’s embassy to let the world know that they don’t want military dictatorship in Burma and will fight until they can restore the government of the people, by the people and for the people.

The Burmese reject the junta’s planned 2010 sham election, in which Aung San Suu Kyi is not even allowed to stand. Her party, the National League for Democracy won the 1990 elections with 82% of the vote, but the corrupt military junta did not honour their own election. The Burmese ask for the 1990 election result to be realised and for talks on national reconciliation. The referendum for the 2010 election constitution carried a 3 year jail sentence for anyone who campaigned for a No vote in the referendum and many Burmese did not even cast their vote as they found government officials had already voted for them. Corrupt military junta, corrupt constitution, corrupt election.

Second Demonstration (Europe-wide Day of Action)
Foreign Commonwealth Office (FCO)
King Charles Street London SW1A 2AH

Burmese demands include:

* The EU strengthens the Common Position, including banking and financial sanctions, and sanctions stopping European companies providing insurance in Burma,
* The EU does more to pressure the military regime to free all political prisoners in Burma,
* The EU rejects the military regime’s 2010 elections and sham 2008 constitution in the present form,
* The EU does more to encourage reconciliation and tripartite dialogue without delay,
* The EU does more to challenge the dictatorship to immediately stop all human rights abuses in Burma.

Please, do not let your voice be silent for Free Burma. It is great chance to speak out your voice for Free Burma.
Please, do show your liberty to promote Crisis in Burma.

For further information on Burma and pro-democracy and human rights events in the UK please see:
www.totaloutofburma.org
www.burmacampaign.org.uk Burma Campaign UK
www.nld-la.org.uk/ National League for Democracy (UK)
www.bdmauk.org Burmese Democracy Movement Association
www.bdcburma.org/ Burma Democractic Concern
www.csw.org.uk/changeforburma.htm Christian Solidarity Worldwide

Free Burma’s Political Prisoners Now petition

Will you make a stand for Burma’s Political Prisoners?
Thousands of people across the world are uniting with one voice demanding the release all of Burma’s political prisoners. They are taking part in a global signature campaign which aims to collect 888,888 signatures before 24 May 2009 the legal date that Burma¹s democracy leader, Aung San Suu Kyi should be released from house arrest

Over 200,000 people already have signed up to the campaign calling for UN Secretary General to make it his personal priority
to secure the release of all of Burma¹s Political Prisoners, including Aung San Suu Kyi.

Will you sign the petition now? Sign here:
www.burmacampaign.org.uk/fbppn.htm

The petition has a target of 888,888 signatures, symbolising 8.8.88, the day the junta massacred some 3,000 people who courageously protested in Burma¹s largest democracy uprising. We¹ve made big progress towards that target but need your help if we¹re going to make it.

Here are some facts about political prisoners in Burma:
* There are over 2,100 political prisoners in Burma.
* They are innocent: These prisoners have committed no crime. They have been
imprisoned for peacefully calling for democracy and freedom in Burma.
* They are subjected to horrific torture: Once in prison, democracy
activists face horrific torture, including electric shocks, rape, iron rods
rubbed on their shins until the flesh rubs off, severe beatings and solitary
confinement.
* They endure terrible suffering: Many prisoners are kept in their cells 24
hours a day, given inadequate food and are in poor health. However, the
regime appears to be systematically denying medical treatment to political
prisoners.

For more professional photos these Resistance Day protests please see toastyoneuk’s collection at:
www.flickr.com/photos/toastyoneuk/sets/72157616030608089/

Cool Free Legal images

Some cool free legal images:

Free Wall Warrior
free legal

Image by liquidnight

Legal Observer legally observing
free legal

Image by silverfuture

hosier lane free art
free legal

Image by FREE ART
free art goes to melbourne! hosier laneway

Cool Legal Information images

Check out these legal information images:

Nicola Bonucci, Director for Legal Affairs
legal information

Image by OECD
Nicola Bonucci, Director for Legal Affairs at the OECD
CV

For more information, visit: www.oecd.org/legal

Ref: CD205-80-5
© OECD

Julian ASSANGE arrested . Wikileaks
legal information

Image by Abode of Chaos
Julian ASSANGE arrested . Wikileaks
Wall-paint by Cart’1 @ the Abode of Chaos (Creative Commons Paternity)

Tribute #1 to Julian Assange
Tribute #3 to Julian Assange

Portait wall-painted of Julian Assange wikileaks at the Abode of Chaos (Creative Commons)
original version free on Flickr 2592 x 3483

As I see it, Julian Assange is the natural son of Lorenz (Edward Norton), he is quite simply the “Black Swan” of the beginning of this century… he is breaking the seals one by one in the agora of the ethers that is Internet. Further read >>>

thierry Ehrmann, www.ehrmann.org/en/propaganda.html
Abode Of Chaos / Demeure du Chaos 2010 2011

thierry Ehrmann blog.ehrmann.org/
CC.2010 www.AbodeofChaos.org – courtesy of Organ Museum

Arrestation de Julian/Julien Assange . Wikileaks
Mur peint par Cart’1 @ la Demeure du Chaos (Creative Commons Paternity)
Hommage numéro 2 à Julian Assange . Wikileaks

Hommage numéro 1 à Julian Assange . Wikileaks
Hommage numéro 3 à Julian Assange . Wikileaks

A mes yeux, Julian Assange est le fils naturel de Lorenz (Edward Norton), il est tout simplement le « Cygne Noir » du début de ce siècle, il brise les sceaux un par un dans l’agora des éthers qu’est l’Internet. Lire la suite >>>

The Abode of Chaos from Above,/La Demeure du Chaos vue du ciel:
www.flickr.com/photos/home_of_chaos/sets/72157624460145909/

Preview 2011 Borderline Biennial at the Abode of Chaos adult only version EN/FR
blog.ehrmann.org/2010/lypo2010_online.pdf

Chinese Gay Legal/Health Hotline Information
legal information

Image by kafka4prez

Cool Free Legal Documents images

Some cool free legal documents images:

Kahuna Luna, an American Dog, is demonstrating the way Americans are treating our southern Mexican neighbors in Arizona
free legal documents

Image by Beverly & Pack
Arizona Senate Bill 1070

Arizona Senate Bill 1070 is legislation signed into law in the U.S. state of Arizona by governor Jan Brewer on April 23, 2010. It is the broadest and strictest anti-illegal immigration measure in decades and has received national and international attention and spurred controversy. The legislation’s name is Support Our Law Enforcement and Safe Neighborhoods Act but is best known as simply Arizona SB1070. The bill is scheduled to go into effect on July 28, 2010, ninety days after the end of the legislative session (sine die). Legal challenges over its constitutionality and compliance with civil rights law are expected.

The bill makes it a misdemeanor state crime for an alien to be in Arizona without carrying legal documents, steps up state and local law enforcement of Federal immigration laws, and cracks down on those sheltering, hiring and transporting illegal immigrants. The paragraph on intent in the legislation says it embodies an ‘attrition through enforcement’ doctrine.

Critics of the legislation say it encourages racial profiling based on wording and possible enforcement, while supporters say the law enforces existing federal law. The law was modified within a week of its signing with the goal of addressing some of these concerns. There have been protests in opposition to the law in many U.S. cities, including calls for boycotts of Arizona. Polling found the law has majority support in Arizona and nationwide -Wikipedia

Palestine_Haifa_Umm-al-Shawf_NK26983
free legal documents

Image by gnuckx
Asadbabil says:
I suggest that you explain this document to English speakers Mike. I can help a little. This documents, as I understood, shows that a person called Najeeb M. Sabah, a resident of Haifa before 1948 was the rightful owner of hundreds of acers of land in the city of Haifa and surrounding villages. I am wondering what happened to his land? Any guess?

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Cool Free Legal Help Online images

Some cool free legal help online images:

Banksy in Boston: Detail of the NO LOITRIN piece on Essex St in Central Square, Cambridge
free legal help online

Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

This photo appeared on Grafitti – A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now — I was as surprised as you are.

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

Banksy in Boston: Portrait from the F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED piece on Essex St, Chinatown, Boston
free legal help online

Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

This photo appeared on Grafitti – A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now — I was as surprised as you are.

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

Cool Free Legal Website images

Check out these free legal website images:

Banksy in Boston: Visitors getting photos with the NO LOITRIN piece on Essex St in Central Square, Cambridge
free legal website

Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

This photo appeared on Grafitti – A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now — I was as surprised as you are.

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

Banksy in Boston: Overview of the NO LOITRIN piece on Essex St in Central Square, Cambridge
free legal website

Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

This photo appeared on the Banksy forums.

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

ACLU legal observer
free legal website

Image by Dave Schumaker

Website: www.rockbandit.net

"Knowledge will forever govern ignorance, and a people who mean to be
their own governors, must arm themselves with the power that knowledge
gives."
- James Madison

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This is Part Six of an eight-part series about matters involving Cllr Charles Adje.
To view in sequence, please click here.

◄ Back to Part Five Forward to Part Seven ►

________________________________________________________

At the Haringey Council meeting on 19 January 2009, Cllr Neil Williams put further questions to Cllr Charles Adje about a report by the Standards Board for England. (Case number SBE21513.08) This concerned the investigation into the allegation that Cllr Adje had disclosed confidential information to a solicitor.

As we had come to expect, Cllr Adje again refused to answer legitimate questions. But as well as continuing to block, he also went on the attack.

As you will see from the transcript below, Cllr Adje began by criticising Council officers.
He blamed them for not giving him "adequate and proper" legal advice. This is not a new approach from him. When he chaired the Alexandra Palace Board he tried to deflect any responsibility for the Firoka Licence at Alexandra Palace by blaming officers there.

Naturally, I was intrigued by what Cllr Adje said at the Council meeting about the legal advice he did not get. So I put my own questions to Haringey’s Legal Service. I’ll outline their reply in my next update.

Cllr Adje followed with the innuendo that his political opponents have some “sinister” and "vindictive" motives for actually asking him questions. Since I’m one of the impertinent questioners, I found this most reassuring. It’s the classic ad hominem argument. (As they say in football; ‘tackling the player, not the ball’.) If Cllr Adje has nothing to hide, instead of huffing and puffing, why doesn’t he simply give full and candid answers?

The next person in line for public denunciation was Mr Roger Lovegrove, who until May 2009 chaired Haringey’s local Standards Committee. Cllr Adje challenged his impartiality and independence. I’ll say a bit more on this below.

The final recipient for a scolding was an unnamed LibDem councillor who – Cllr Adje claimed – had "exposed sensitive commercial infomation". Cllr Adje went on to make a further allegation: that "the matter was [ . . . ] swept under the carpet apparently following an understanding he [the LibDem Councillor] reached with the then leadership."

Is any of this more than just blather and bluster? Let’s look below at what Cllr Adje said.

________________________________________________________

Transcript of part of Haringey Council meeting 19 January 2009

Cllr Neil Williams
With regard to the published summary of Standards Board for England case SBE 21513 08 can he explain in what circumstances he feels it’s appropriate to obtain independent legal advice while discharging his duties as a Haringey cabinet member?

Cllr Charles Adje
I would like to start by thanking the member for his question. I would like to repeat yet again that this matter has been dealt with already by the Standards Board. As a matter of fact and just for the record I do indeed feel that there are occasions when a cabinet member may feel it appropriate to seek independent legal advice. I do not wish to go into detail, and will not be pressed further on the matter. But in this case I had reason to feel that I was not being given adequate and proper advice on this issue. And thus decided, for the sake of my own understanding of the situation, to seek independent advice, as repeated requests for clarification on the matter was not forthcoming despite my escalation of same. That is all I have to say by way of explanation, as the matter has been investigated and decided upon already, Mr Mayor.

It is always difficult for members to always take officers’ advice as gospel. Especially when it is out of kilter with the normal Council practice, and when it has been applied in the past and not on this particular occasion. Bearing in mind the District Auditor’s comments that members should always satisfy themselves. I therefore make no apologies for seeking to safeguard the Council’s image and interest, both as a local councillor and the cabinet member in this regard.

I should like to add that I feel most disappointed that this issue is being raised again and again. It is not uncommon for members on both sides to be referred to the Standards Board for a variety of reasons. And the decisions of the Board should be trusted and respected. In my own case I am increasingly becoming to believe that my political opponents – mainly but almost certainly not solely on the opposition benches are seizing on it to try to make cheap jibes at my personal expense and continue to smear me.

If I were not convinced of their commitment to the Council’s Equal Opportunities and Anti-Discrimination Policies I might almost begin to wonder whether there were more sinister motives in their continued chewing-over of this matter, There are signs that this is becoming beginning to look like a systemic and rather personally vindictive smear campaign.

I am also extremely disappointed and indeed angry, Mr Mayor, that some part seems to have been played in the resurrection of this issue by a supposedly impartial and independent member of the Standards Committee of this Council.

Mr Mayor, does the member recall when one his colleagues – who shall remain nameless – exposed sensitive commercial information to a member of their party whose company was bidding to run an arms length organisation of the Council? From what I recall, no action was taken and the matter was – for want of a better phrase – swept under the carpet apparently following an understanding he reached with the then leadership. Talk about hypocrisy.

While I do not for one moment draw a parallel between that case and mine, I cite this example to remind him that there have been issues in his own party that could equally well be picked over by opponents with nothing better to pass their time.

That is really what I have to say on this matter, Mr Mayor. There are far more pressing and important issues that are faced by my Labour Group; the Opposition; and most importantly – base on the debate that we’ve just had in terms of the Recession – the people of this borough. And all our efforts should be focused on these matters rather than the petty political point-scoring, personal campaigns against individuals, and the picking over of old issues. Thank you.

Cllr Williams
Well, that was an extraordinary response. I mean I think the assertion that it’s being pursued for sinister reasons referred to, is risible. The other explanations given are completely incomprehensible to me. I don’t even know what he’s talking about.

But can he give us an assurance then, from this report – the summary report that everybody here must have read – as far as he is aware, is it the case that as a result of him seeking that independent advice, as this report clearly indicates, that somehow that documentation ended up in the hands of somebody with a financial interest in that property?

You are in charge of disposal of public property in our borough. Why can’t you realise this is a very serious matter? And it’s not one at which you can make cheap political points. How did that happen? And if you are so concerned that you’ve done the right thing, you won’t be sorry or hesitate to tell us how that happened.

Cllr Adje
Thank you, Mr Mayor. The member should realise that, yes, I understand and I know my responsibilities. He is fully aware – I am – that he asked for certain documentation which, by virtue of being a member of the committee, he has been provided. And he is also fully aware that I cannot go into detail and I will refer him to the written question that was posed by him; and my answers there are self-explanatory."

My Comments on this exchange between Cllr Adje and Cllr Williams

‘"I shall ignore him and the others from now on"

In fact Cllr Charles Adje is perfectly free to go into a lot more detail – and without further disclosure of confidential documents. But he had no intention of doing so. We learned this shortly after the Council meeting when he inadvertently copied a local community group into an email he sent.

"It was very heated – they did not like it. I presume he is likely to come back
but I shall ignore him and the others from now on. A.S. was heckling whilst I
was speaking. Gideon is likely going to report him to the Chief Whip."

Plainly, the ‘he’ referred to is Cllr Neil Williams.

‘A.S.’ is me. And "heckling" refers to the fact that when Cllr Adje said: "I do not wish to go into detail, and will not be pressed further on the matter", in sheer astonishment I said precisely two words out loud: "Why Not?

The then Labour "Chief Whip" was former councillor Harry Lister. (We will learn more about his involvement in Part Eight and subsequently.)

________________________________________________________

Criticism of the Chair of the local Standards Committee

I guess like most people at the Council meeting, I hadn’t a clue what Cllr Cllr Adje was on about when launched an attack on " a supposedly impartial and independent member of the Standards Committee of this Council" for "the resurrection of this issue".
(Though of course, the issue is very much alive and kicking.)

It turned out he was referring to the letter below. It was written by Mr Roger Lovegrove, Independent Chair of Haringey’s Local Standards Committee; and published in the Hampstead and Highgate Express on 2 January 2009. Unfortunately the paper’s search facility wasn’t working when I tried to find a link. So here’s the text of Mr Lovegrove’s letter to the editor. As the letter makes plain, it was not written as his personal view, but on behalf of the Standards Committee.

Text of the letter from Mr Roger Lovegrove to the Hampstead & Highgate Express

On 6 November, you ran an article about a complaint made to the Standards Board for England concerning an alleged breach of confidentiality by Councillor Charles Adje.

That report concluded with a quote from Councillor Adje in which he was reported as saying "If they thought I had done something wrong, they wouldn’t have said that no action needs to be taken."

At its meeting of 22 December, Haringey’s Standards Committee asked me to write to you to clarify the situation.

It is correct to say that the Standards Board did decide that no further action needed to be taken. As your report makes clear, however, they did actually find that Councillor Adje had broken the provisions of the Members’ Code of Conduct by breaching confidentiality.

When their decision to take no further action became known to me, I felt it necessary to write to the Standards Board on behalf of the independent members of Haringey’s Standards Committee expressing bemusement at that decision. However, since the decision had been made the matter could not be reopened.

I might add that since this complaint was originally received by the Standards Board, the whole system for the handling of complaints has been altered. Complaints are now are normally considered locally, by Standards Committees such as Haringey’s, rather than by a remote, national "umbrella" body such as the Standards Board.

Roger Lovegrove
Chair Haringey Standards Committee

Cllr Adje’s reply sent to Mr Lovegrove and others.

Dear Mr Lovegrove,

Thank you for copying me into your correspondence to the Ham & High for publication.

I find your letter absurd and am astounded that as an Independent chair of the committee that you allow your position to be used as a party political tool. Surely, if you have concerns which you have raised with the SBE with regards to their decision, that should be discussed and left at that at the committee.

It seem to me that you have allowed the independent position of chair to be undermined by allowing yourself as the current chair to be drawn into what is a party political issue and if you have any concerns, then that should rightly be raised and discussed with the appropriate bodies and not through the press.

I sought independent legal advice in good faith and will leave it there.

Yours

Cllr Charles Adje
Labour Member for White Hart Lane Ward


My Comment on this exchange of letters

There’s a rather glaring disparity between Cllr Adje’s view of the "respect" due to the Standards Board for England and to Haringey’s local Standards Committee.

About the former, Cllr Adje lectures the Council that: “decisions of the Board should be trusted and respected”. On the latter, he tells Mr Lovegrove, the committee’s chair, that he is “astounded” by his "absurd" letter to the Ham & High.

Though as we see above, Mr Lovegrove’s letter is no more than the most polite statement of the factual position.

Even in its publicly available Summary Report, the Standards Board for England plainly stated that Cllr Adje had "breached the Code of Conduct”. He did this “by disclosing confidential information without getting his solicitor to agree formally that it would remain confidential and not be further disclosed.” Please click here here to read the Summary Report on the Standards Board’s website.

═══════════════════════════════════

Continue to Part Seven in this series which looks at
legal advice Cllr Adje requested from Haringey officers.

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If you have a secret you would like me to use, send me an anonymous message here.

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I apologise for what turned out to to be a misleading and inaccurate post.

On 16 October 2009 I got the email below from Stuart Young, Assistant Chief Executive in Haringey.
I read it as meaning that my Labour colleagues, "cabinet" councillors in the London Borough of Haringey, had overturned an officers’ decision to block Social Media websites for the borough’s staff.
So it looked as though our staff would again be treated as grown-ups and professionals.

Mr Young referred to a report at the Cabinet Advisory Board * (CAB) meeting on 15 October 2009 which approved a six-month trial giving all staff access to social media channels when this related to the Council’s work.

My original post on this page reported what seemed a welcome if nervous return by Haringey to the twenty-first century. But I was wrong. Thay report and the six-month trial both sank without trace. Haringey closed its eyes and snuggled back under its IT comfort blanket.

(* Cabinet Advisory Board is the ‘real’ cabinet where decisions are made, prior to the formal Cabinet.)


What’s This All About ? Some Background

I’m an elected councillor in Haringey. In September 2009 I was asked to take some photos urgently to show problems with a Haringey building project. To make these photos rapidly available to Peter Lewis, Director of Children’s Services (the department concerned), I posted them in a private Flickr folder and sent Mr Lewis an access password.

Neither the Director nor his P.A. were able to view the photos. At the time they did not know why.

I then discovered that a software block was in place. This prevented all Haringey staff from accessing not only Flickr but other social media websites. Neither councillors nor, it seems, Departmental Directors had been told about the block.

Click here to read further details. And for the helpful comments and suggested website links from Hugh Flouch, Liz Ixer, and Kake Pugh.

On 2 October 2009 I emailed a "Member Inquiry" – a formal councillor’s request – asking which websites were blocked, and for other information.

On 16 October 2009, Stuart Young, Haringey Assistant Chief Executive, sent me the reply below.
I got a second email email from Mr Young on 23 October, which is posted further down this page. As are my replies to Mr Young.

—– Original Message —–
From : Stuart Young, Assistant Chief Executive, People, Organisation & Development
To : Alan Stanton, Tottenham Hale ward councillor
Sent : Friday, October 16, 2009 10:58 AM
Subject : Blocked websites – Cost of business case for individual unblocking

Dear Councillor Stanton

I refer to your recent Member Enquiry regarding blocked websites and respond to your questions as follows:

The Council has an internet content filtering tool called “WebSense” that monitors over 36 million websites; hence it would not be feasible to provide you with a list of those sites that are blocked.

This tool has been configured to block web site categories (rather than specific sites) that are considered unacceptable by our Authority (as per the Council’s ‘Internet Acceptable Usage Policy’.) The blocked web site categories are listed below for your reference:

● Adult material ● Peer to peer file sharing ●· Personal network storage ●· Drugs ●· Gambling ●· Games ●· Illegal ●· Hacking ●· MP3 and Download ●· Social networking and personal ●· Militancy and Extremist ●· Racism and hate ●· Tasteless ●· Violence ●· Weapons ●· Web chat

In October 2007, there was consultation between Human Resources, Legal Services and Information Technology Services where a more relaxed stance to the Policy was agreed. Since that date only minor cosmetic changes have been made to the document.

In terms of line Managers monitoring the internet usage of their own staff via WebSense, unfortunately this would not be feasible. The tool cannot be configured to only allow Managers to review the usage of their own staff only. Giving administrative access to managers would allow them to report on the internet usage of all staff and Members, not just their own subordinates. In addition, administration of the tool is complex and would require implementation of an expensive Council Wide training programme. Therefore, where management have concerns over the potential misuse of the Council’s internet facility, referrals are made to HR, Internal Audit and IT Security management for investigation and to produce the reports.

Due to the vast number of websites monitored by WebSense (mentioned above) it is not practical to consult with staff regarding any possible consequence of singular sites being banned under the approved blocked categories. However, if a site is blocked and there is a valid business reason for the site to be opened, an officer only needs to complete a Harinet online change request form (which is free of charge) and takes approximately 5 minutes to complete and submit. Since the beginning of September 2009 there have been no requests made for access to social media sites.

A review of the policy is currently underway specifically focussing on business change and the use of social media and social networking channels. A report on this subject matter is due to be submitted by the Assistant Chief Executive – People, Organisation and Development to the Cabinet Advisory Board on the 15th October 2009. The report is seeking approval for a 6-month trial giving all staff access to social media channels for business related networking via the Council’s network. Such policy changes are the subject of consultation with Haringey trades unions.

I hope the above answers the questions raised.

Yours sincerely

Stuart Young
Assistant Chief Executive
People & Organisational Development

Anniversary of Resistance Day (27/03/2009)
free legal forms

Image by totaloutnow
Anniversary of Resistance Day (27/03/2009)

First Demonstration

Burmese protest outside the Burma Embassy in London on Resistance Day, which marks the anniversary of the start of Burmese resistance to the occupying Japanese army in World War II.

Gen. Aung San, the Founder of today’s Burma’s Army said, "Our armed forces are not for tyrannizing the people, not for flaunting their power in reliance on weapons. The armed forces are the servants of the country and not the other way round." But in reality, the situation in Burma is other way round. Burmese held the demonstration in front of the military regime’s embassy to let the world know that they don’t want military dictatorship in Burma and will fight until they can restore the government of the people, by the people and for the people.

The Burmese reject the junta’s planned 2010 sham election, in which Aung San Suu Kyi is not even allowed to stand. Her party, the National League for Democracy won the 1990 elections with 82% of the vote, but the corrupt military junta did not honour their own election. The Burmese ask for the 1990 election result to be realised and for talks on national reconciliation. The referendum for the 2010 election constitution carried a 3 year jail sentence for anyone who campaigned for a No vote in the referendum and many Burmese did not even cast their vote as they found government officials had already voted for them. Corrupt military junta, corrupt constitution, corrupt election.

Second Demonstration (Europe-wide Day of Action)
Foreign Commonwealth Office (FCO)
King Charles Street London SW1A 2AH

Burmese demands include:

* The EU strengthens the Common Position, including banking and financial sanctions, and sanctions stopping European companies providing insurance in Burma,
* The EU does more to pressure the military regime to free all political prisoners in Burma,
* The EU rejects the military regime’s 2010 elections and sham 2008 constitution in the present form,
* The EU does more to encourage reconciliation and tripartite dialogue without delay,
* The EU does more to challenge the dictatorship to immediately stop all human rights abuses in Burma.

Please, do not let your voice be silent for Free Burma. It is great chance to speak out your voice for Free Burma.
Please, do show your liberty to promote Crisis in Burma.

For further information on Burma and pro-democracy and human rights events in the UK please see:
www.totaloutofburma.org
www.burmacampaign.org.uk Burma Campaign UK
www.nld-la.org.uk/ National League for Democracy (UK)
www.bdmauk.org Burmese Democracy Movement Association
www.bdcburma.org/ Burma Democractic Concern
www.csw.org.uk/changeforburma.htm Christian Solidarity Worldwide

Free Burma’s Political Prisoners Now petition

Will you make a stand for Burma’s Political Prisoners?
Thousands of people across the world are uniting with one voice demanding the release all of Burma’s political prisoners. They are taking part in a global signature campaign which aims to collect 888,888 signatures before 24 May 2009 the legal date that Burma¹s democracy leader, Aung San Suu Kyi should be released from house arrest

Over 200,000 people already have signed up to the campaign calling for UN Secretary General to make it his personal priority
to secure the release of all of Burma¹s Political Prisoners, including Aung San Suu Kyi.

Will you sign the petition now? Sign here:
www.burmacampaign.org.uk/fbppn.htm

The petition has a target of 888,888 signatures, symbolising 8.8.88, the day the junta massacred some 3,000 people who courageously protested in Burma¹s largest democracy uprising. We¹ve made big progress towards that target but need your help if we¹re going to make it.

Here are some facts about political prisoners in Burma:
* There are over 2,100 political prisoners in Burma.
* They are innocent: These prisoners have committed no crime. They have been
imprisoned for peacefully calling for democracy and freedom in Burma.
* They are subjected to horrific torture: Once in prison, democracy
activists face horrific torture, including electric shocks, rape, iron rods
rubbed on their shins until the flesh rubs off, severe beatings and solitary
confinement.
* They endure terrible suffering: Many prisoners are kept in their cells 24
hours a day, given inadequate food and are in poor health. However, the
regime appears to be systematically denying medical treatment to political
prisoners.

For more professional photos these Resistance Day protests please see toastyoneuk’s collection at:
www.flickr.com/photos/toastyoneuk/sets/72157616030608089/